Painting 1 analysis and convergences
2011 pp. 132
artist writing
free download (click on the image)
commissioned by Oslo University on the occasion of HISTORY FORMS MY REVOLUTION - An exhibition at the University of Oslo as part of the celebration of their 200 years anniversary. Produced by Gerd Elise Mørland and Espen Røsbak.

The work is the permanent luminous form of itself. But what happens to the world that produced it? Can we talk of the living world (Lebenswelt) of which the pictorial work is an outcome? The experience of the artist as the trace of thought makes the work a sign of his or her action. Whether or not he is aware of this legacy, the artist becomes dispersed in the painting and in its phenomenological cognitive experience, which – as possibly in no other discipline – becomes a fundamental experience.

Lectures:

  1. 18.06.2011 Oslo University - HISTORY FORMS MY REVOLUTION - A series compiled by Gerd Elise Mørland and Espen Røsbak.

  2. 14.03.2012 Salon Populaire, Berlin - OFF THE PAINTING -A series compiled by Tanja Schomaker.  link : http://www.salonpopulaire.de/?cat=26

  3. 16.03.2012  Careof DOCVA - El TOPO -a series compiled by Valerio Borgonuovo and Antonio Grulli

The Horizon after commodity - Notes on Perversion
2011 pp. 42
artist writing
free download (click on the image) commissioned by Oslo University on the occasion of HISTORY FORMS MY REVOLUTION - An exhibition at the University of Oslo as part of the celebration of their 200 years anniversary. Produced by Gerd Elise Mørland and Espen Røsbak.

Lectures:

  1. 28.09.2011 Oslo University - HISTORY FORMS MY REVOLUTION - caired by Ina Blom

  2. 7.10.2011- 6.11.2011 Bergen Kunsthall website - Oh how time flies - curated by Erlend Hammer

Which could be an act of freedom nowadays in art?  Refering to the evolution of art from Minimalism to nowadays "The Horizon after commodity - Notes on Perversion" aims to describe on which premises it could be possible, for an artist, to  articulate a form of resistance towards the destruction of sense defined by speculative capitalism.

2011

2010

Italian edition published  by Galleria Massimo Minini, Brescia

November 2011

editions of 20

Warburghiana a_stampa: archivi e

paesaggio / Warburghiana a_stampa:

archives and landscape - 2


Numero / Number 2

Curatori / Editors

A. Andrighetto, D. Bellini, G. Codeghini, E. Grazioli

Prefazione / Foreword by

warburghiana


INDICE

pg. 01 Manifesto

pg. 02 Colophon

pg. 03 Il perchè e il percome/Why and How

pg. 04 Gianluca Codeghini - Gioco di sponda/Game of sides

pg. 06 Joseph Rykwert/Dario Bellini

Sia funzione la rappresentazione/Let representation become function

pg. 10 Elio Grazioli - Indicare/Pointing

pg. 11 John Baldessari

pg. 13 Marie de Brugerolle - Ubi? Quolibet!

pg. 15 Guy de Cointet

pg. 16 Aurelio Andrighetto - Inafferrabile/Ungraspable

pg. 18 Bruno Muzzolini

pg. 19 Gianluca Codeghini - Gioco di punta/Toe game

pg. 20 Elio Grazioli - La matita della natura/The pencil of nature

pg. 21 Giulio Paolini

pg. 22 Dario Bellini - Qui, forse!/Here, maybe!


pg. 24 Paolo Chiasera - Spazi circoscritti/Circumscribed spaces


pg. 26 Monica Amari

Manifesto per la sostenibilit� culturale/Manifesto for cultural sustainability

pg. 27 Stefano Piva

pg. 28 Aurelio Andrighetto - Marcel Duchamp 28, 29, 30, 31

pg. 29 Luca Bertolo - L'artista emancipato/The emancipated artist

pg. 32 Luca Pancrazzi - Vedere/Seeing

pg. 33 Dario Bellini - Guardando fisso il ponte di Brivio/Staring at the Brivio Bridge

pg. 35 Giulio Lacchini

pg. 36 Gianluca Codeghini - Gioco tra le righe/Game between the lines

pg. 37 Manifesto

2011

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